Presented with Malthouse
Cadela Força Trilogy Chapter I
The Bride and the Goodnight Cinderella
Carolina Bianchi Y Cara de Cavalo
- Theatre
- Premiere
- Performance
- Sitting
2 hours 25 minutes
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A show that is both a fever dream and worst nightmare, beautiful and grisly.
Chapter One of the Cadela Força Trilogy, sees Brazilian artist and director Carolina Bianchi travel through time and states of consciousness to confront a vision of hell.
Shaken by the death of Pippa Bacca—an Italian artist who was raped and killed while doing a travelling show—Bianchi presents a performance-lecture. She speaks vividly about the spectre of sexual violence that runs through the history of art, until she hits an impasse. Then things go dark. Bianchi ingests a drug known in Brazil as ‘Goodnight Cinderella’ and falls unconscious. Her dead weight and lived experience form the figure of an anti-protagonist that’s falling down a hole in the middle of the desert. Performers carry Cara de Cavalo's inert body to a place where past and present collapse.
And inside this mirror world, she can finally ask: What’s in the void between sleep and death? What stories swirl around a memoryless body? What happens when someone survives?
Part of this performance can have a disturbing effect. It contains references to rape and gender-specific violence. Please view warnings in Session Details.
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Artistic Team
Conception, text, dramaturgy and direction
Carolina Bianchi
Translation of texts into English and revision
Larissa Ballarotti, Luisa Dalgalarrondo, Joana Ferraz, Marina Matheus
Dramaturgist and partnership in continuous research process
Carolina Mendonça
Cast
Allita, Carolina Bianchi, Chico Lima, Fernanda Libman, Joana Ferraz, José Artur, Larissa Ballarotti, Marina Matheus and Rafael Limongelli
Technical direction, Sound design and Original music
Miguel Caldas
Set design, Art and Graphic design
Luisa Callegari
Light design
Jo Rios
Videos and Screenings
Montserrat Fonseca Llach
Karaoke video
Thany Sanches
Costumes
Tomás Decina, Luisa Callegari, Carolina Bianchi
Art Assistant and General artistic collaboration
Tomás Decina
Collaboration in body and voice training
Pat Fudyda, Yantó
Dialogue on theory and dramaturgy
Silvia Bottiroli
Production assistant and Stage manager
Ana Cris Medina
Production direction and Tour manager
Carla Estefan
International management and Diffusion
Metro Gestão Cultural (Brasil)
Intertextualities
The text of this show also counts on the crossing of some authors. We highlight the collaboration of the actress Alita in her text in the second part of the show, Nathalie Léger and her book 'The White Dress', writings by Saidiya Hartman, the work of the anthropologist Rita Laura Segato, the bibliography of Roberto Bolaño and conversations with the artist Renan Marcondes.
Supporters
Production by Metro Gestão Cultural (Brasil), Carolina Bianchi y Cara de Cavalo.
In Co-production with Festival d’Avignon, KVS Brussels, Maillon, Théâtre de Strasbourg - Scèneeuropéenne, Frascati Amsterdam.
Residency to finish the play and set construction: La FabricA du Festival d’Avignon.
Residencies: Frascati Theater, DAS Theatre (Amsterdam), Festival Proximamente/KVS (Brussels), Festival 21 Voltz/Central Elétrica (Porto), Pride Festival (Belgrade), Greta Galpão (São Paulo) e EspaçoDesterro (Rio de Janeiro).
With the Support of Theater Der Welt, The AmmodoFoudation, DAS Theatre Master Program, 3 Package Deal of the AFK - Amsterdam Fonds voor de Kunst / Coalition: DAS Theatre, NDSM and Over ’t IJ Festival, Kaaitheater.
International management and Diffusion by Metro Gestão Cultural (Brasil).
The show premiered July 2023 at the Festival d’Avignon.
Image Credits
Cadela Forca by Carolina Bianchi and Cara de Cavalo. PHOTOS: Christophe Raynaud de Lage